V. A. Romenets’ school of creative abilities education: the origins of success
DOI:
https://doi.org/10.35774/pis2019.01.116Keywords:
science, creativity, creative abilities, genetic psychology, personality, upbringing, phenomenological method, Ukrainian psychologyAbstract
Volodymyr Andriyovych Romenets (1926–1998) – is an important figure in Ukrainian psychology, author of fundamental works on the history of psychology, psychology of creativity, theoretical and methodological foundations of humanitarian cognition. High evaluation of scientific achievements at the same time requires a constructive analysis of his work, interpretation of the last taking into account modern trends in the development of science and culture. Republication of V. Roments’ work in 1973 “Educating the students’ creative abilities” (2018 No. 3-4) stimulates psychologists to the canons of philosophical thinking. This is confirmed by the phenomenological analysis carried out by the scientist on the evolution of interest in science by young people (university entrants and students of the psychology department of the university), which is based on the reconstruction of the stages of their admiration for scientific cognition. It is proved that the entry of young people into the field of intellectual search is accompanied by her personal tension between the ideal of comprehensive development and the necessity of professional specialization. A human personalizes science, encyclopedicity, awareness, considers it as an individual project of some achievements in the cognition of truth of outstanding researchers. In further, there is a complication and “democratization” of the scientist’s image, which is connected with the personal crisis of comprehension the restrictions of scientific cognition. Some of the Western approaches to creativity are analyzed in the work of V. Romenets, including works of J. P. Guilford, E.P. Torrance and G. Gutman, are criticized either for excessive metaphysics and natural philosophy, or for “test mania”. In general, the psychodidactic study of creativity in the analytical experience of V. Roments is based on questionnaires and observations that is concerned only students of psychology department of philosophy faculty of Kyiv University named after Taras Shevchenko, which doesn’t give any grounds for wide generalizations. In addition, he doesn’t pay enough attention to the description of the program of his own empirical research, doesn’t indicate on the formation and composition of the sample, the time limits of experimentation, etc. The same applies to his proposed methodology for diagnosing the level of creative abilities. That’s why it is relevant a development of the hierarchy’s clarity and the sequence of stages of the interest deployment in scientific creativity, which would provide a brief description of each of them. At the same time, it is reasoned that the classical style of research activity in science, which is inherent to Volodymyr Romenets, is a kind of canon of philosophical thinking, which goes in very original ways and can not be completely restricted by formal requirements to publications without losing its exceptional content, conceptual integrity and didactic significance.
References
Miasoid, P. A. & Shatyrko, L. O. (2016). Zhyttia i tvorchist V. A Romentsia. Akademik V. A. Romenets: tvorchist i pratsi [The life and work of V. A Roments. Academician V. A. Romients: creativity and labor]. Kyiv: Lybid. 17–34 [in Ukrainian].
Romenets, V. A. (1973).Vykhovannia tvorchykh zdibnostei u studentiv [Education of students creative abilities]. Kyiv: Vyshcha shkola [in Ukrainian].
Romenets V. (2018). Vykhovannia tvorchykh zdibnostei u studentiv [Education of students creative abilities]. Psykholohiia i suspilstvo – Psychology and Society. 3–4. 178–223 [in Ukrainian].
Tytarenko, T. M. (2008). Zhyttievyi vybir u kontseptsii V. A. Romentsia. Zahalna psykholohiia: Khrestomatiia. Skrypchenko O.V. (Ed.). http://westudents.com.ua/glavy/77874-t-m-titarenko-jittviy-vibr-u-kontsepts-v-a-romentsya.html [in Ukrainian].
Abdulla, A. M. & Cramond B. (2017). After six decades of systematic study of creativity: what do teachers need to know about what it is and how it is measured? Roeper Review. Vol. 39. No 1. 9–23 [in English].
Asakaviciute, V. (2018). Cultural Crisis as a Decline in Human Existential Creativity. Cultura. Vol. 15. No 1. 65–83 [in English].
Bogers, M. & Foss, N. J. & Lyngsie, J. (2018). The “human side” of open innovation: The role of employee diversity in firm-level openness. Research Policy. Vol. 47. No 1. 218–231 [in English].
Laguia, A. & Moriano, J. A.& Gorgievski M. J. (2019). A psychosocial study of self-perceived creativity and entrepreneurial intentions in a sample of university students. Thinking Skills and Creativity. Vol. 31. 44–57 [in English].
Nelson, B. & Rawlings, D. (2008). Relating schizotypy and personality to the phenomenology of creativity. Schizophrenia bulletin. Vol. 36. No 2. 388–399 [in English].
Ohly, S. (2018). Promoting Creativity at Work–Implications for Scientific Creativity. European Review. Vol. 26. No 1. 91–99 [in English].
Park, N. K. & Chun, M. Y. & Lee, J. Revisiting individual creativity assessment: Triangulation in subjective and objective assessment methods. Creativity Research Journal. 2016. Vol. 28. No 1. 1–10 [in English].
Stoeber, J. (Ed.). (2011). Passion and motivation for studying: predicting academic engagement and burnout in university students. Educational Psychology. Vol. 31. No 4. 513–528 [in English].
Taylor, K. & Fletcher, I. & Lobban, F. (2015). Exploring the links between the phenomenology of creativity and bipolar disorder. Journal of affective disorders. Vol. 174. 658–664 [in English].
Downloads
Issue
Section
License
1. PROPOSED POLICY FOR JOURNALS THAT OFFER OPEN ACCESS
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
2. PROPOSED POLICY FOR JOURNALS THAT OFFER DELAYED OPEN ACCESS
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication, with the work [SPECIFY PERIOD OF TIME] after publication simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).